Respect Your Elders

Writing about Rabat. What can I say? I spent nearly a week in Morocco's capital city, and I've seen just about all that it could offer someone who doesn't live there. But I spent most of my day preparing for the night, as the 9th Annual Mawazine Festival of World Music was on for my week there. F***ing fantastic.

This was one of those moments where luck and good timing led me to the right place. I'd heard of the Mawazine Festival as I passed cafés and restaurants with television usually tuned to football or National Geographic Abu Dhabi (they really watch a lot of National Geo here, I don't know why). But I had no idea who was playing, where the concert was, how much it cost. Then, walking the streets of Marrakesh, I saw an enormous billboard featuring a man in a fedora and black jacket, head bowed to the camera: Carlos Santana at Mawazine. Tickets on sale for 600 dirham (about $70). I froze. Immediately thoughts of "If only" and "Can I afford that?" began to sweep through my head. I knew some other Volunteers would be in Rabat for their mid-service medical appointments around that time, so I thought, "Why not join them and see how the spirit moves me."

As the week of the festival drew closer, I saw more and more coverage on the national channel: Julio Iglesias, Sting, Carlos Santana, BB KING?! BB King is 84 years old these days. I decided then and there that even if it meant dropping $70, I had to see him. It might be my last chance.

I met up with a Volunteer who'd been evacuated way back in the day from Madagascar, a friend of a friend kind of thing, for a beer. He was off to see Seun Kuti that night. It was a free show, I was welcome, why the hell not? I'd never heard of him, but boy, do I know him now. Seun Kuti's father is Fela Kuti, the Nigerian musician who pioneered Afrobeat, a mixture of African rhythms, highlife, jazz, and funk. The show rocked. It reminded me of everything I love about Africa. At one point Seun said something along the lines of "I want you to shout out as loud as you can, because in Africa, we don't talk small. We shout out with every part of our soul!" I'd never thought about it before, but he was right, and it's what I love about the continent. Africans tend to make everything big. Anyone who's ever been in a group of Africans know how loud and boisterous they can get, throwing around jokes and stories like no others. And as I look to some of my favorite artists: Howlin' Wolf, Etta James, Muddy Waters, I think that tendency to pour your soul out in one loud cry crossed the Atlantic and defined American music of all stripes.

Okay, so now I'm hooked. Free shows and some amazing new music on my first night in Rabat. Next up: Cheikh Tidiane Seck. I'd seen this guy at the Festival in the Desert in Timbuktu. Crazy to think that that was over five months ago, and here he is again in Morocco. He took me back to my Sahelian roots with his rockin' take on traditional griot music and some of those lovely, full-bodied Malian women, who probably shook it a little too much for a Moroccan audience. That's fine. Let's let the Malians shake things up a bit.

So two shows down, I start to look for who I want to see, who I can see for free. This can't be right. Elton John is playing for free to those who don't mind standing a football pitch away from the stage. I am THERE! Evidently, this show almost didn't happen, as some conservative imams in Morocco cast Elton John as a menace to good Islamic values. But the show went on as planned, rightfully, as the concert organizers noted, as it's a festival to bring people and cultures together for a proper, respectful cultural exchange. As I walked up to the jangling piano of Tiny Dancer, I knew I'd made the right decision to stay in Rabat for the duration of the festival. I have to say though, after the African bands, that I was a bit disappointed by Elton John as musician. The technicality isn't as high quality as those others. And the lyrics aren't all that great, in the end. I mean, are there any other lyrics to Bennie and the Jets other than "Buh Bennie and the Jetssssssssssssssssssss?" But damn. You do have to hand it to the man. He knows how to put on a spectacle. Eventhough he sings everything down an octave these days (I should never be able to sing along with Tiny Dancer in anything but a falsetto), you gotta hand it to him: the songs are catchy, and he knows how to catch your eye.

Elton John turned 63 this year. That's almost as old as my Dad, and I don't think I could see him putting on a show like that. Though strangely enough, I can imagine him in purple sunglasses and a coat and tails, the sleeves embroidered with a rainbow-colored shooting star. That weird? Didn't think so. BB King, however, will be 85 this year, and that just blows my mind. 84 years old and still touring? Not just touring, but touring internationally and taking on a gig in Morocco? I had to see it. I'd heard rumors he was playing from a wheelchair these days. I'd seen Maynard Ferguson, right at the end of his life, and while the old boy could still blow, he usually needed about ten minutes to rest from the minor heart attack suffered after each solo. It's just not the same with a guitarist. Old BB King took the stage and man, could he riff. And his band, a bunch of crusty old guys just like him, well, they didn't miss a beat either. In fact, I think they've all gotten better with age. Of course, they can ham it up with the best of them now. Going into the show thinking that these old guys probably don't have the pads or the chops to rock just lets them blow you even further out of the water. I only hope they come through Indiana while I'm at home, so I can get another chance to see them shine. Damn. I can't write about music and give you the visceral response of being there, but I was dancing the whole night and longing to see him up close.

Last night: Carlos Santana. I've been listening to Santana since 8th grade. Twelve freakin' years! Ya, remember Supernatural? The album that exploded with collaborators like Eric Clapton, Dave Matthews, Wyclef Jean, Lauren Hill, and who could forget Rob Thomas's work on Smooth, that song you couldn't escape for an entire summer. Santana, like Sir Elton, is 63 this year, but I'd like to say, this is one of the best shows I've ever seen. I would have dropped the 600 dirhams on the spot to have the chance to party up near the stage. But...I'm poor. As it was, I crammed in between a bunch of Moroccans who could appreciate the music, but only as a show, not as an experience. There was one other guy, very close by, who, like me, knew all the lyrics, and we were having a time trying to get the others moving. But wow, that cat has only gotten better as the years have gone by. Never have I felt music approach the level of frenetic ecstasy as I had that night.

The continuing theme with these three big acts were these guys who are up there and have been up there now for decades. With all the support I can give to Sir Elton and his band, they're all pretty old dudes who nevertheless have never slowed down. And while they may not have cut their hair since they started touring in the 70s, you gotta hand it to them: when you're that good, you don't have to. Watching BB King was like hanging out with the old guys at the mosque in Niger: they don't need to say much, because whatever comes out of their mouth will have you rolling in the aisles. And it's obvious they just love it. It's a great thing to see guys up there just having fun. Santana brought in some young guys, but when you have to play that hard for that long, you need stamina. I don't know how he does it, but I only hope that I have that kind of strength when I hit 63. These are old musicians who won't fade away, and with this much life, I don't think I'll have to worry about catching the next show.