I bought a pith helmet.
Does that statement need explanation? Is it a little too colonial? A little too Heart of Darkness for our modern sensibilities? Well, like everything, there's a story behind it, and here it is.
After two weeks scrambling around the canyons, waterfalls, and plateaux of Doucki, I was exhausted. However, I still had one major challenge before me. In order to meet up with friends in Kedougou, Senegal, I had to take the mountain road down from Mali-ville in northern Guinea. All the guide books said that it was only 50km from Mali to the border post at Segou, and Kedougou was 12k farther along the road. It's possible to hike in 6 to 12 hours, say the guidebooks. All downhill, with shortcuts through the bush and amazing scenery, as if any of these writers had done such a thing. But, exhausted by two weeks of hiking, I got it into my head that this would be a good idea.
I was wrong.
I stopped off in Labé, Guinea to get some supplies and have a rest before I attempted an all-day hike in the middle of hot season. (See any problems with this idea yet?) It was here that I bought the pith helmet, but the shape of the hat, which I found in both Guinea and Guinea-Bissau, didn't really sink in until I was well on my way into Senegal.
The story is this. I hiked about 30k down from Mali through some amazing scenery. The weather wasn't bad, rather cool because of the elevation, and at the end of the dry season, the trees had lost their foliage, making the trip a bit eerie in the ashey haze from the harmattan winds. The beginning of the hike was like a nice, autumn day. But after 30k, things began to unravel. I came off the mountain onto a middle plateau, and the heat and the sun really started to pick up. I'd seen no one for a few hours of this trip, and around about 1:30 in the afternoon, a guy on a motorbike drove by and stopped. "Where ya goin?" Senegal! "Oh, you've missed your road. You can still get there on this road, but it's another 30k." Well...damn. "Jump on, I'll give you a lift...idiot (which is what he must have been thinking at the time)."
It was a good thing I got a ride, because another 30k of hard hiking lay ahead of me, and I did not have the resources to complete the hike. When we got to Loungha, the Guinean border post, he said that he had some stuff coming along in a camion (a huge truck) and that I could catch a ride all the way to Kedougou with them when they came through. Now to explain things a bit, the road from Mali to Kedougou is barely even a road. It comes off the highest part of the Fouta Djalon plateau and is a twisted mess of unpaved, rocky, on-in-four grade track. This guy had done it on a motorcycle, and the 50k had taken him about 5 hours. It was even worse in a truck.
So I waited around this border town until 4:30 in the afternoon. Just when I thought I'd had enough and it was better to spend a little money on a moto into Senegal, I heard the roar of a big truck. Here was my camion. After about two hours in customs (i.e. bribe negotiation) we were on our way. Since I didn't have any money to pay these guys, I was in the back of the camion, which is kind of like a dump-truck when you get right down to it. There was a car seat back there crunched in between two enormous truck axles. Looking at these, I could only help thinking, "If this truck flips...I really have no escape plan," but, I settled in, my head and shoulders just peeking out from the lip of the truck bed and off we went. As we drove away from the border post, waving to the customs officials, I realized what a sight I must have looked. Here I am, dirty, sweat-streaked, in torn clothes (all my clothes are torn now, the shirt and pants I was wearing have each been patched about six times), sitting in the back of a camion like I'm Teddy Roosevelt on my way to the inaugural ball. But, like any good fool, I was smiling, ragged, and looked a mockery of any kind of civility. At that moment, I felt as if the only thing I needed was for Jambe to bring my hammock and my pink gin sundowner. My pith helmet is made of grass. My clothes, patched with bright African pagne fabric are a laughable embarrassment that will be completely replaced when I reach Dakar. My hair has gotten long after four months traveling, and like my first year in Niger, it's become rather sun-bleached. Charlie Chaplin could not have conceived a more ridiculous scene. Arriving in Kedougou, tired, hungry, dehydrated, beat up, and sore, I couldn't help thinking how appropriate it was that I entered Senegal, the last leg of my trip in sub-Saharan Africa, totally wrecked by four months on the road, but grinning like a happy fool nonetheless.
Wednesday, March 31, 2010
Wednesday, March 17, 2010
The Colonial Treatment
Okay, now for a funny one.
I visited Dalaba, Guinea last week, one of the smaller cities in the Fouta Djalon region. The Fouta is an area in West Africa unique to Guinea. The high plateau is called Le Chateau de l'Afrique Occidental because most of the area's major river systems (including the Senegal, the Gambia, and some tributaries of the Niger) are sourced in these highlands. It's an area that can boast some of the best hiking in West Africa plus the unique culture of the Peul people, who dominate this area and are almost single-handedly responsible for the Islamic faith in the region. It's become sort of a recipe for my favorite places to travel: combine awesome scenery with a unique culture and I'm there. So far I've found it in Boukoumbé, Benin with the Somba people and in Dogon Country, Mali. Now I have the Fouta Djalon in Guinea to add to that list. Next up? I could only hope for Niger's Aïr Mountains or the Andes' Incan ruins. I'll settle for the Bijagos Archipelago in Guinea-Bissau next week.
But for now I'll focus on the Fouta. I went to Dalaba for the hiking, but also for the climate and the colonial architecture. Dalaba sits high up on the plateau, making the days hot but dry and the nights cool, even bordering on cold, a rarity in West Africa outside of the desert regions. As a result, Dalaba became a sort of rejuvenation center for the French colonials during their time here. Unfortunately, the only colonial architecture left behind is the old governor's mansion, the Sili Villa. Luckily for me (and you), I got a personal guided tour of the colonial mansion and can share that experience here.
I'd had this kind of thing happen before, in Sassandra, Côté d'Ivoire, and, more memorably, in Klouto, Benin. You wander up a disused paved road (probably the only one in town) to discover a mansion, completely uninhabited, with one old man sitting outside as guard or caretaker. For a small "fee" (negotiable, but usually around a couple bucks) he'll give you the history of the house and a grand tour around the interior. The history usually goes something like this: The house was built around the turn of the century by the French governor (or bought by said governor from some citizen who decided he'd had enough and was returning to France). After independence, the state took over the mansion from an indifferent civil servant ("Fine, go. We never wanted you as a colony anyway."), and turned it into a retreat for a corrupt president and his cronies (or in Guinea's case, a corrupt, paranoid president and his equally corrupt, terrified cronies). The house gets used for various autocratic excesses and bacchanals until the people decide they've had enough and there's a coup.
By now, the new corrupt government wishes to distance itself from the past corrupt government and it rightfully does so by moving away from Presidential playhouses. At least in one's own country. It's the 80s now, and wireless transfers make it so much easier to funnel money out of the country and into a Swiss bank account. So the state-owned villa is allowed to go to seed. Anyway, why would you want a villa in your own country when, with all that stolen money, you can have several in France?
So now the house sits abandoned by all save one guard (I think to be conidered a caretaker the property must have some kind of value of which to take care) in the employ of, presumably, the state. He sits, day in, day out, with not much to do except stare at the marble statue of a horse. So when a white guy with a couple bucks comes along, he jumps at the chance to play tour guide.
"This is a colonial bedroom, where the governor had his bed. Take a picture."
Where's the bed now?
"Oh, someone probably used it for firewood. Take a picture of where it used to be. For a souvenir."
This guy was particularly enthusiastic that I take pictures of everything. "This is a colonial bathtub."
It's made of cement.
"I know. That's colonial cement. This is a lightbulb. A colonial lightbulb. Take a picture. And over here is the colonial sink. And here, the colonial toilet."
And is that a colonial turd floating in the bowl?
"Yes... Take a picture!"
Overall the houses are dilapidated shells just waiting for some enterprising individual to rehabilitate them as a hotel or private residence. But for now, they'll just continue to sit in their decay, year after year, with a little old man watching over as it slowly crumbles into dust.
"But colonial dust."
Take a picture.
I visited Dalaba, Guinea last week, one of the smaller cities in the Fouta Djalon region. The Fouta is an area in West Africa unique to Guinea. The high plateau is called Le Chateau de l'Afrique Occidental because most of the area's major river systems (including the Senegal, the Gambia, and some tributaries of the Niger) are sourced in these highlands. It's an area that can boast some of the best hiking in West Africa plus the unique culture of the Peul people, who dominate this area and are almost single-handedly responsible for the Islamic faith in the region. It's become sort of a recipe for my favorite places to travel: combine awesome scenery with a unique culture and I'm there. So far I've found it in Boukoumbé, Benin with the Somba people and in Dogon Country, Mali. Now I have the Fouta Djalon in Guinea to add to that list. Next up? I could only hope for Niger's Aïr Mountains or the Andes' Incan ruins. I'll settle for the Bijagos Archipelago in Guinea-Bissau next week.
But for now I'll focus on the Fouta. I went to Dalaba for the hiking, but also for the climate and the colonial architecture. Dalaba sits high up on the plateau, making the days hot but dry and the nights cool, even bordering on cold, a rarity in West Africa outside of the desert regions. As a result, Dalaba became a sort of rejuvenation center for the French colonials during their time here. Unfortunately, the only colonial architecture left behind is the old governor's mansion, the Sili Villa. Luckily for me (and you), I got a personal guided tour of the colonial mansion and can share that experience here.
I'd had this kind of thing happen before, in Sassandra, Côté d'Ivoire, and, more memorably, in Klouto, Benin. You wander up a disused paved road (probably the only one in town) to discover a mansion, completely uninhabited, with one old man sitting outside as guard or caretaker. For a small "fee" (negotiable, but usually around a couple bucks) he'll give you the history of the house and a grand tour around the interior. The history usually goes something like this: The house was built around the turn of the century by the French governor (or bought by said governor from some citizen who decided he'd had enough and was returning to France). After independence, the state took over the mansion from an indifferent civil servant ("Fine, go. We never wanted you as a colony anyway."), and turned it into a retreat for a corrupt president and his cronies (or in Guinea's case, a corrupt, paranoid president and his equally corrupt, terrified cronies). The house gets used for various autocratic excesses and bacchanals until the people decide they've had enough and there's a coup.
By now, the new corrupt government wishes to distance itself from the past corrupt government and it rightfully does so by moving away from Presidential playhouses. At least in one's own country. It's the 80s now, and wireless transfers make it so much easier to funnel money out of the country and into a Swiss bank account. So the state-owned villa is allowed to go to seed. Anyway, why would you want a villa in your own country when, with all that stolen money, you can have several in France?
So now the house sits abandoned by all save one guard (I think to be conidered a caretaker the property must have some kind of value of which to take care) in the employ of, presumably, the state. He sits, day in, day out, with not much to do except stare at the marble statue of a horse. So when a white guy with a couple bucks comes along, he jumps at the chance to play tour guide.
"This is a colonial bedroom, where the governor had his bed. Take a picture."
Where's the bed now?
"Oh, someone probably used it for firewood. Take a picture of where it used to be. For a souvenir."
This guy was particularly enthusiastic that I take pictures of everything. "This is a colonial bathtub."
It's made of cement.
"I know. That's colonial cement. This is a lightbulb. A colonial lightbulb. Take a picture. And over here is the colonial sink. And here, the colonial toilet."
And is that a colonial turd floating in the bowl?
"Yes... Take a picture!"
Overall the houses are dilapidated shells just waiting for some enterprising individual to rehabilitate them as a hotel or private residence. But for now, they'll just continue to sit in their decay, year after year, with a little old man watching over as it slowly crumbles into dust.
"But colonial dust."
Take a picture.
Reflections
It's been about one week since I left Sierra Leone. More than any other country so far, I've gotta say, that place has everything. It's the only country I've been to that combines jungle, beaches, mountains, and savannah in equally beautiful measures. Hell, even the mountains combine jungle and savannah, and Freetown Peninsula has lush green hills for hiking if you want to escape from the beach for a while. The country's a tourist gold mine just waiting for people to come back and discover it. Sierra Leone is safe now. The war is over. Valentine Strasser spends most of his time in the Stop Press cafe, sitting in a corner by himself, remembering his former glory as the youngest world leader of his generation. (Look him up; it's good for you.)
However, even with all that the country has to offer, I ended three weeks with the uncontrollable urge to get out. Why? Chalk it up to some pretty minor setbacks worsened by an existential mid-trip crisis. I tried to hike Mount Bintumani, one of West Africa's highest mountains, and failed for reasons so stupid I won't bother to mention them here. Nevertheless, the failure was palpable, and I've now sworn to return to Sierra Leone some day and rectify my mistake. Vengeance will be mine (channeling Skeletor there).
Failure's always a bit of a bitch, but it has the uncanny ability to teach you things about yourself. For me, the failure of Bintumani was aggravated by an inability to cross into Guinea. For three days I tried to arrange something, but all my attempts kept falling through from Kabala, Sierra Leone to Faranah, Guinea. Eventually, I went back to Kamakwie, where I'd met some awesome French NGO workers who put me up for the night and sent me on my way the next morning. But I couldn't shake this sense of defeat. That is, until I got to Guinea, found a night bush taxi (which I ordinarily avoid like the speed-freak death-traps they are), which raced through the darkness from Kindia to Mamou at about 100 km/hr on the roller coaster roads of the Fouta Djalon. Sometimes you just need to run, and this was one of those times. It didn't hurt that I had Rage Against the Machine blasting in my ears, steadily by my side the whole way.
But back to this malaisem, this existential crisis. What caused it? I think I have to blame the amount of amazing people I met in Sierra Leone and Liberia. That sounds absurd, but hear me out. After 12 weeks on the road, and more than two years in Africa, I felt like I'd lost all sense of self. I have not been home since I left Indiana on January 7, 2008. In my time in Niger, I had no neighbors, which allowed me to really claim my village and my region as my own. However, I left that on September 7, 2009 and only had one week back to say goodbye. That was a pretty traumatic experience already well documented on this blog, so I'll save you any further trauma reliving it.
In Burkina and Mali, where there's a strong Peace Corps presence, I couldn't feel this loss as acutely as I did later, specifically in the last few weeks. In Liberia, I began to meet and spend long periods of time with new and interesting people. NGO workers, ex-pats, Peace Corps Response Volunteers. After being solitary for so long (throughout most of Côté d'Ivoire), it was nice to be able to share stories and build new relationships. However, the life of a traveler is transitory, and after a few days, I move on, unsure if I will ever see this or that person ever again. Of course, you exchange email addresses and hopes, but the reality is you never know.
So it was with Liberia, so it was with Sierra Leone, so it will be with everywhere I go. I met some awesome people, but slowly, they had to leave, and I had to move on. I think all of this meeting and parting came to a head my final week in Sierra Leone, when fatigue and several setbacks all seemed to jump me at once. I realized that I've been away from home a very long time. I haven't seen anyone from my past life in America in over two years. That was alright as long as I could build a new life in Niger, find new supports. However, I left that behind over three months ago, and now, now I'm doubly removed from any kind of past life. It's difficult to determine where you are without anyone who knows you. And when all your new relationships have to, by nature, end, it's difficult to find continuity.
Sometimes though, all you need is a light heart and some Rage (Against the Machine). I threw off my doubts and my losses with the realization that I'm doing something amazing. That's not to boast or appear proud. I'm just continually confronted by new cultures, new landscapes, awesome people, and challenging situations. And I realized I was complaining about that! It's difficult to continually meet and leave people and places that you're falling in love with, but we always carry these experiences with us, and if we leave parts of ourselves with others, it only means we have more reason to carry us back.
I don't really know the point of this blog. Only that it needed to be written to demonstrate that it's not all candy and rainbows on the road in West Africa. I've been very lucky so far (Ivory Coast excluded), and running through the cool, Guinean night with the Bulls on Parade, I realized how amazing life is, and how much living there is left to do.
However, even with all that the country has to offer, I ended three weeks with the uncontrollable urge to get out. Why? Chalk it up to some pretty minor setbacks worsened by an existential mid-trip crisis. I tried to hike Mount Bintumani, one of West Africa's highest mountains, and failed for reasons so stupid I won't bother to mention them here. Nevertheless, the failure was palpable, and I've now sworn to return to Sierra Leone some day and rectify my mistake. Vengeance will be mine (channeling Skeletor there).
Failure's always a bit of a bitch, but it has the uncanny ability to teach you things about yourself. For me, the failure of Bintumani was aggravated by an inability to cross into Guinea. For three days I tried to arrange something, but all my attempts kept falling through from Kabala, Sierra Leone to Faranah, Guinea. Eventually, I went back to Kamakwie, where I'd met some awesome French NGO workers who put me up for the night and sent me on my way the next morning. But I couldn't shake this sense of defeat. That is, until I got to Guinea, found a night bush taxi (which I ordinarily avoid like the speed-freak death-traps they are), which raced through the darkness from Kindia to Mamou at about 100 km/hr on the roller coaster roads of the Fouta Djalon. Sometimes you just need to run, and this was one of those times. It didn't hurt that I had Rage Against the Machine blasting in my ears, steadily by my side the whole way.
But back to this malaisem, this existential crisis. What caused it? I think I have to blame the amount of amazing people I met in Sierra Leone and Liberia. That sounds absurd, but hear me out. After 12 weeks on the road, and more than two years in Africa, I felt like I'd lost all sense of self. I have not been home since I left Indiana on January 7, 2008. In my time in Niger, I had no neighbors, which allowed me to really claim my village and my region as my own. However, I left that on September 7, 2009 and only had one week back to say goodbye. That was a pretty traumatic experience already well documented on this blog, so I'll save you any further trauma reliving it.
In Burkina and Mali, where there's a strong Peace Corps presence, I couldn't feel this loss as acutely as I did later, specifically in the last few weeks. In Liberia, I began to meet and spend long periods of time with new and interesting people. NGO workers, ex-pats, Peace Corps Response Volunteers. After being solitary for so long (throughout most of Côté d'Ivoire), it was nice to be able to share stories and build new relationships. However, the life of a traveler is transitory, and after a few days, I move on, unsure if I will ever see this or that person ever again. Of course, you exchange email addresses and hopes, but the reality is you never know.
So it was with Liberia, so it was with Sierra Leone, so it will be with everywhere I go. I met some awesome people, but slowly, they had to leave, and I had to move on. I think all of this meeting and parting came to a head my final week in Sierra Leone, when fatigue and several setbacks all seemed to jump me at once. I realized that I've been away from home a very long time. I haven't seen anyone from my past life in America in over two years. That was alright as long as I could build a new life in Niger, find new supports. However, I left that behind over three months ago, and now, now I'm doubly removed from any kind of past life. It's difficult to determine where you are without anyone who knows you. And when all your new relationships have to, by nature, end, it's difficult to find continuity.
Sometimes though, all you need is a light heart and some Rage (Against the Machine). I threw off my doubts and my losses with the realization that I'm doing something amazing. That's not to boast or appear proud. I'm just continually confronted by new cultures, new landscapes, awesome people, and challenging situations. And I realized I was complaining about that! It's difficult to continually meet and leave people and places that you're falling in love with, but we always carry these experiences with us, and if we leave parts of ourselves with others, it only means we have more reason to carry us back.
I don't really know the point of this blog. Only that it needed to be written to demonstrate that it's not all candy and rainbows on the road in West Africa. I've been very lucky so far (Ivory Coast excluded), and running through the cool, Guinean night with the Bulls on Parade, I realized how amazing life is, and how much living there is left to do.
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