I've had some time on my hands in Ouagadougou (Burkina Faso), and I've spent most of it sleeping. I probably should be updating, telling stories of adventure in the desert, etc. But honestly, I've had to spend the last few days recuperating from all my adventures, and it's only now that I've gotten up the energy to write anything at all. You may think a Festival in the Desert is all fun and games, but it's seriously tiring. The artists played every night until about 4 in the morning. It'd be a stamina contest even without the freezing desert nights and days which felt as if you'd taken up residence in a brick oven. Unless you had a hotel room somewhere in the city (which I didn't), it was pretty difficult to get more than two or three hours sleep a night.
I'll take this as a side note: Timbuktu proved to me that I'm still not ready to return to America until they've officially outlawed winter. I kept trying to see my breath, swearing up and down in the sleep-deprived 3am jam sessions that it had to be below freezing. It wasn't. At the worst of my cold-addled dementia, I called my dad and said, "It's SO cold here!" "...We're getting six to eight inches of snow tonight." "Fine, you win. I'm never coming home."
I've gotten only jealousy from fellow Volunteers after telling them I just came back from the Festival. As Peace Corps Volunteers, we're treated the same as embassy workers, which means if they State Department puts out an alert or a warning, as in the case of Timbuktu and specifically the Festival, we're not allowed to go. However, thanks to the terrorists (jerks) I ended my service early and didn't have any restrictions. Hell, I could've even driven a moto up there (we're not allowed on motos in Peace Corps). So...sometimes every bastard terrorist provides a silver lining, which he then promptly kidnaps and holds for ransom (jerk).
The questions I've been getting? "Was it expensive?" So expensive...but so worth it. No more expensive than a festival in the U.S. or Europe, but such a unique experience. "Who was your favorite?" That's an impossible question to answer, if in part just because there was no schedule for who was playing when, and it was kind of hard to know who was who unless you had a real background in West African music. Which I don't. In fact, I would have to admit that I could never work for Rolling Stone. I don't pretend to know a lot about music. I get most of my music through word of mouth and Internet radio stations, so I can't really speak to melodies, harmonies, movements, modes, etc. I didn't even know who Tinariwin was before I went to this concert (I do now, and they're awesome!). But that's why you go to something like this right? If I weren't already in West Africa at the right time and within spitting distance of the right place, I probably wouldn't have gone, but things just worked out right. And it's an experience, am I right? Very few other people in the world can say they've been to a desert music festival and seen some of the greatest musicians of one of the most vibrant music scenes in all of Africa all in one place.
So who did I like? Who should you check out? Well the aforementioned Tinariwin was a treat. They're kind of the reason the whole festival actually exists. Their music was the voice of an entire people. Resistance music the likes of which the 60s couldn't have imagined. They were actually banned at one time by the Malian government, but their sound still traveled the country on bootleg cassettes. They played the first night of the concert, when it seemed like the entire city of Timbuktu had snuck in to the concert. That was the best part about that first night. The music, no matter how good it was, took a backseat to watching Tuareg and Songhaï, Fula and Bella rock out to an iconic national group. Vieux Farka Touré was particularly great in a tribute to his father, the late Ali Farka Touré, who died back in 2006. Amadou and Mariam, who began to hit it big on the hipster scene in America a few years ago, rocked out in the final jam session of the third night to wild applause. But perhaps my favorite, a Niger staple, was Mamar Kassey, a jazz/pop group whose music I'd always heard in Niger and never liked. It's because, like Tinariwin, all the cassettes I'd ever heard were on their fourth trip through the piracy chain and usually played full blast through crappy Chinese speakers that had survived God only knows what natural disaster to end up in the desert, filled with sand and shattered dreams (or something like that). I had to give props to Mamer Kassey, if for no other reason than because they're from Niger, but also because they rocked it out. It's hard to jam on a flute! It also helped a bit that they were the only band that played anything I'd ever heard before that night. Are you looking these people up? Seriously now, why are you even reading this if you aren't interested in seeing what I've seen? Go find some youtube videos! I'm not saying I'm fully converted to high-pitched, nasal singing, which is kind of standard in griot music, but I do have to say that the experience, like so much else in this world, is radically transformed by the performance, something unique in every time and place in which it takes place. It's the same difference between film and theatre, a vibrancy that is diminished when a living, breathing human being exudes a palpable presence from a few feet away. It's a feeling of being alive and totally within a moment, and technology has yet to take that desire for contact and immediacy away from us.
Well, to sum things up, I'm fully rested and recovered now, as I hope this post shows. It's a good thing too, since I'm on my way down to Côté d'Ivoire tonight to continue my journey across West Africa. I'll be in Bouaké, capital of the rebel New Forces, by tomorrow afternoon, and hopefully well on my way into the less civil war-prone south the day after. If you're reading this as I'm posting it, wish me luck, because I'm sure I'll need it, if nothing else than to deal with the graft. I've met a lot of people who are interested in this section of my trip: no Peace Corps to fall back on in a country not known for stability since a civil war a few years ago. I'll keep everyone posted and hope to have only good things to say in my next post.
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